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You can use as many zones as you want, and be creative – chains can share zones as well, and if you have racks inside racks, you can work with the chains inside all of those as well. Once you’ve set up your zones, take note of the numbers in the bar above them, from 0 to 127 in typical MIDI style. This is just one way in which Live makes it easy to integrate external hardware systems.
Ableton 9.7.5 audio units duplicate manual#
Programmed to receive To send automation to other software or hardware, you’ll have to check what messages the receiving equipment needs – read the manual or search online.
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If drawing envelopes is too sterile for you, don’t forget you can record automation as well – enable Automation Arm, and move the on-screen controls, or assign a hardware MIDI controller, or move the encoders on Push. If you mouse near an envelope and hold down Alt/Option, you can draw a curve instead of a straight line. It’s a single click to add or remove breakpoints, and you can move the lines between them by selecting and dragging. There’s no reason you can’t mix-and-match approaches in the same envelope – once you exit Draw Mode, you’ll see breakpoints at the corners of your horizontal and vertical steps, so if necessary you can edit those and revert back to a semi-rigid arrangement. Now you can draw in ‘blocky’ values that conform to the current grid, which of course you can change at any time. You can create envelopes by drawing in breakpoints along the horizontal lines, and when you need something more precise –like for clear on/off functions, or for rhythmic effects, tap ‘B’ on the computer keyboard to go into Draw Mode. When combining envelopes in a project, it’s important to practice with different-length clips playing together, and to use different-length envelopes within those clips – they don’t have to be in units of bar-length, either. It’s a good exercise to take just one clip and use envelopes to push it and exploit it as far as possible.